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The Mahabharata (A Modern Rendering) (A Set of 2 Volumes)

The Mahabharata (A Modern Rendering) (A Set of 2 Volumes)



  • Dimensions:8.5 inch X 5.5 inch
  • Edition:2019
  • Author:Ramesh Menon
  • Publisher:Rupa Publication Pvt. Ltd.
  • ISBN:9788129114921
  • Cover Type:Paperback
  • Number of Pages:1594
  • About the Book

    The Mahabharata is the more recent of India two great epics and by far the longer one: first composed by Maharishi Vyasa in verse it has come to us down the centuries in the timeless oral tradition of guru and sishya profoundly influencing the history culture and art of not only the Indian subcontinent but most of Southeast Asia. At 100,000 couples it is seven times as long as the Iliad and the odyssey combined far and away the greatest recorded epic know to man.

    The Mahabharata is the very Book of Life in its variety majesty and also its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5,000 years ago and the events that led to it. The war on Kurukshetra sees ten million Kshatriyas slain and brings the Dwapara Yuga to an end and uhers in a new ans sinister age this present Kali Yuga or modern times.

    At the heart of the Mahabharata nestles the Bhagavad Gita the song of god. Senay or ubhayor madh ye between two teeming arise Krishna expound the eternal dharma to his warrior of light Arjuna AT one level all the restless action of the Mahabharata is a quest for the gita and its sacred stillness. After the carnage it the gita that survives immortal lotus floating upon the dark waters of desolation the final secret.

    With its magnificent cast of characters human demonic and divine and its riveting narrative the Mahabharata continues to enchant readers and scholars the world over this new rendering bring the epic to the contemporary redder in sparkling modern prose. It brings alive all the excitement magic and grandeur of the original for our times.

    About the Author

    Ramesh menon was born in 1951in New Delhi. He has lived and worked in Delhi Hong Kong Bengaluru and Jakarta and now lives in Kodaikanal. He has recently published a modern translation of the Ramayana.


    Three hundred and sixty five human years make one year of the Devas and the pitrs the Gods and the ancestors.

    Four are the ages in the land of Bharata: the krita, treat, dwapara and kali. The krita yuga lasts for 4800 divine years the treat for 3600 the dwapara for 2400 and the Kali for 1200; and then another krita begins.

    The krita or satya yuga is an age of purity it is stnless. Dharama righteousness is perfect and walks on four feet in the krita. However from the treta yuga adhrma evil comes to the world and the very febric of time begins to decay. Finally the kali yuga the fourth age is almost entirely corrupt with dharma barely surviving hobbling on one foot.

    A chaturyuga a cycle of four ages is 12,000 divine years or 365 x 12,000 humab years long. Seventy one chaturyugas make a manuvantara fourteen manutaras a kalpa. A kalpa of a thousand chturyuga 12 million divine years is one day of Brhama life is 3003 savanas long one day of mahavishnu is the lifetime of brahma.

    The great war the Mahabharata is fought at the very end of a dwapara yuga the third age just before the sinister kali yuga begins once in time out of mind the gods created the kshatriyas to establish dharma justice in an anarchic world most royal kashtriya bloodlines can be traced back to the devas themselves in most ancient days the Gods came freely to the earth. But in time generations the noble race of warrior kings has grown arrogant and greedy. By the end of the dwapara yuga have become tyrant and they are still practically invincible.

    Krishna the Avatara and his cousins the Pandavas are born to destroy the power of the kshatriyas of Bharatavarsha (India) forever this is what the Mahabharata yudddha the war on the crack of the ages accomplishes; and thus ushers in the Kali yuga modern times. By this Hindu calendar the Great war was fought some five thousand Years ago.

    The house of Kuru is one of the oldest and noblest Houses it traces its origins to some Deva the Moon God. Timeless hastinapura the city of elephants is the capital of the Kuru Kingdom and one great king after another has ruled from here. The legend of the Mahabharata begins with king shantanu of the Kurus and how a son is born to him but this prince Devavrata will never sit upon his father through instead shantanu blind grandson Dhritarashtra will become king.

    The main them of the Mahabharata is the story of Dhritarashtra sone the Kauravas ans his brother Pandu sons the pandavas and the enmity between them. Dhritarastra hundred boys are evill prnces led by the eldest of them the ruthless Duryodhana who is a demon Pandu five princes are devaputras Devas sons born to fight for dharma in the world.

    They are Yudhishtira, Bheema, Arjuna, Nakula and Sahadeva. Almost every king in Bharatavarsha takes one side or the other in the Great war and ten million Kshatriyas are killed. Dharma is established again on earth but an age has ended and another has begun.

    The maharishi vyasa the poet of the Mahabharata himself wanders in and out of the story. Unearthly beings Devas yakshas gansharvas nagas and apsaras find their way into the story as do demonic ones asuras and rakshasas. The Mahabharata is set in a pristine and magical time of the earth. Its heroes and villains are all larger than life. The war itself is fought with occult weapons; the astras of the Gods.

    Just before the war begins the third Pandava Arjuna the greates archer in the world loses his nerve on the field of Kurukshetra. That perfect warrior cannot bear the thought of killing his cousin. Krishna who is Arjuna charioteer expounds the etrnal dharma to him. This exposition is the Bhagavad Gita the song of God the gita is the heart of the Mahabharata its real treasure. At one level all the rest of the restless action of the epic is a quest for the precious Gita and its stillness. The Gita is the Hindu new testament.

    Senayor Ubbayor Madhye.. between two immense armies on the brink of a savage war the Avtara singh his wisdom. To this day Kurushetra is holy ground for the Hindu because it was here that Krishna sang his immortal Gita and here that he revealed his vishwarupa his cosmic form to Arjuna.

    The original Mahabharata in Sanskrit is an epic poem of 100,000 couplets; seven times s long as the Iliad and the Odyssey combined. To record his epic for posterity is such a daunting task that Vyasa begs the elephant headed God, Ganesha to be his scribe. Ganesha has one stipulation: Vyasa must never keep him waiting for even a moment during the narration. The poet agrees and manages to keep ahead of his quicksilver writer often with long digressions from his main story. Ganesha writes down Vyasa legend with a tusk he breaks from his own face.

    This is modern prose version timeless epic the legend of the sons of Pandu.


    Once, in more Gracious times when the kshatriyas of the earth were like gods, there was a devout sovereign of Chedi called Uparichara. Indra of the Devas gave him a marvelous vimana, a crystal ship that flew anywhere at his very thought. That king became known as Uparichara Vasu; for like the Vasus, he ranged the sky in his vimana.

    Uparichara's wife was Girika, and she bore him five excellent princes. One morning, when she was in her fertile time, Queen Girika came to her husband and asked him to make love because she wanted another son. But he had to go into the forest to hunt some meat for a sacrifice to his fathers in heaven. Uparichara set out with his bow in his hand.

    Earlier, his queen had come to him wearing the sheerest robe; the king did not realize how much she had aroused him, until he missed two red stags with his arrows. Uparichara came to a lotus-laden pool in the depths of the forest and, with Girika's lush body before his mind's eye, ejaculated onto a banyan leaf.

    He folded the leaf, chanted a potent mantra over it and called his hunting falcon down from the sky. 'Fly friend, take this to my queen as swiftly as you can.'

    As the falcon sped towards Chedi, a fishing eagle perched in a tree on the banks of the Yamuna saw him. The eagle mistook the banyan leaf for a shred of meat and flew at the falcon. The birds fought briefly in the air and the leaf fell out of the falcon's beak, down into the river.

    Now, a year ago the apsara Adrika had flown down from Devaloka to swim in the Yamuna. It was the twilight hour, and when the nymph had been in the water for a while she saw a sage at the river's edge, at his sandhya vandana his evening worship. The austere on sat motionless his eyes shut first. Adrika saw how radiant he was and lusted after him.

    She swam close to where the rishi sat and playfully seized his ankles. Adrika thought that on seeing her beauty and naked body he would make love to her. She could not have been more mistaken.

    The hermit eyes flew open and he cursed Adrika you dare disturb my dhyana? Be a fish from now!

    At once the apsara had golden scales and a fish body. The rishi rose and strode away. Neither of them realize that fate had a deep purpose to fulfil by their encounter. Adrika stayed in the river devouring smaller fish when she felt hunger she grew bigger and bigger. Soon she forgot she was an apsara and though of herself as just a fish.

    When the eagle set on Uparichara falcon the banyan leaf plunged down into the midnight blue Yamuna adrika swan lazily in the river she saw the leaf strike the water and the king seed being washes off. As it sank shimmering with a flick of her tail the fish darted forward and swallowed that seed. At once she became pregnant.

    In ten months she was so big she could hardly swim and only lay on the bed of the river. One day she was snared by a fisherman in his net. He drew her from the water and she lay heaving in his boat. The fisherman cut the golden fish open with his knife. There was a flash of light and he saw the spirit of a nymph fly into the sky.

    The man was blinded for a moment but when he looked into the fish belly he saw two human infants a boy and a girl lay there and gazed serenely back at him. The next day the fisherman arrived in the king palace and told Uparichara vasu how he had discovered the children the man begged to keep one of them.

    The king guessed how those twins had been conceived and his queen still wanted another son. Uparischara vasu kept the little boy and allowed the fisherman to take the girl. The prince born from a fish belly was named Matsyaraja; in time he would rule his father kingdom as ably as Uparichara had, the fisherman raised the little girl in the wilderness as his daughter. A fortune teller who read the lines on her palm said that one day she would become the queen of a great kingdom the fisherman lived with that prophecy clasped close to his heart.

    That dusky child body always smelled of fish and her father called her Matsyagandhi.

    Some years later. The celibate Parashara another immortal rishi on his pilgrimage arrived on the banks of the Yamuna. It was a crisp winter morning. The sun shone pale and ethereal and the river sparkled a if hut sat at his morning. The sun shone place and ethereal and the river sparkled as if a million jewels had been strewn across her water. The fisherman in his hut sat at his morning meal of least night fish and rice when the austere figure loomed suddenly in his door.

    Take me across the river I am in a hurry said Prashara ungraciously.

    If was not the first time the profound one had passed this way and the fisherman recognized him. He called out to his daughter.

    Matsyagandhi take our Muni Prashara across.

    She appeared at the corner of the hut sixteen and bright as bit of winter sun. breast buds strained like young lotuses against her green Parashara. Without a word matsyagandhi led the illustrious one to the wooden boat tethered to the riverbank.

    As he followed the girl smell of her body invaded him the raw smell of fish with which she was bogn but instead of being repulsed Parashara lost his heart to her he was had felt no twinge of desire in the company f fawning apsaras in Devaloka was overcome by the earthy whiff of the fisher girl.

    When she helped him into the boat he held her hand longer than he needed to she freed herself quietly and cast off. But he would not be so easily denied. As they moved out at which she rowed. She smiled at him again and clasped it one the oar at which she rowed. She smiled at him her huge eyes twinkling she stopped rowing though they were in midstream and drifting. But she did not withdraw her hand.

    Parashars presence and his dignity which now suffered not a little for his visible excitement attracted her. His hand quivered on hers. He leant forward awkwardly to try to kiss her. She smiled dazzling him and stroked his gnarled hand without inhibition.

    In her husky voice she said holy one why do you want to do this?

    You a lofty brahmana descended from brahma and I the daughter of a nishada between us this isn’t proper.

    Then she trembled remembering suppose he cursed her at that moment her father hailed them faintly form the bank. He stood washing his hands outside the but and wanted to know why they had stopped.

    Parashara released the girl's hand. She rowed again while the rishi kept a watch on the fisherman, who stood staring after them, his eyes shaded. Again, the sage took Matsyagandhi's hand.

    She said, ''Brahmana, aren't you repelled by my smell? Muni, don't you know the Vedas say one should never have sexual intercourse during the day? And besides, my father can see us.''

    When Parashara was near enough to kiss her, she was reminded sharply of his great age, and both excited and dismayed by it. But he waved a slender arm over his head, his hand curled in an occult mudra. Instantly they were shrouded in mist and the fisherman could not see them anymore. Then it began to snow!

    It was dark on the boat on the river.

    ''Is that night enough?''

    Little Matsyagandhi gave a cry of wonder. But being a virgin and still afraid, she said, ''Yogin, you will enjoy me and go your way, but I will become pregnant. I will be ruined, the laughing stock of the world. And what will I tell my father?''

    He cried hoarsely, ''Give me your love and you will be famous forever among Devas and rishis. You will be known as Satyavati in heaven. Look.''

    Again a wizardly mudra from him, and she saw her body glow with a new beauty. Her limbs were lambent, her features finer, and the smell of her transformed so now she smelt of wild jasmine, lotus and other unearthly fragrances. In a moment they spread from her for a yojana. Her original, fishy musk had not vanished either; it became a sublimely erotic perfume, which fuelled his ardour!

    Still, she hesitated. She restrained his wandering hand, so he cried, ''Say whatever you want and it shall be yours. Quickly, you are driving me mad!''

    After a moment's thought, she said, ''If neither my father nor anyone else comes to know of this, if my virginity is not broken, if the son born of our love is a magician like you, and if I always smell as sweetly as I do now, then take me, O Rishi, and gladly!''

    Parashara, famed across the three worlds, laughed aloud. He said, ''This is God's will, Satyavati, All your conditions will be fulfilled, and your son shall be the greatest poet the world has ever known. JJ

    He took her in his arms in that boat rocking softly on the Yamuna while his magical snowstorm held up its opaque curtain around them. Impatient for him now that her fears had been allayed she rowed to an island in the stream and moored there and they lay together unlikeliest lovers heating the pale sand dry.

    At last after he drank deeply of her youth and she of his age parashara rose to bathe in the Yamuna. While a last kiss on top of her head he walked upon the water and out of her life.

    And in the mystic dimension no sooner had she conceived than she was in labour.

    Her delivery was miraculous and quite painless. As soon as he was born her lustrous boy as handsome as Kamadeva became a full grown rishi with a Kamadalu in one hand a smooth staff in the other and his matted tawny hair lit in a halo. That newborn and exceptional hermit said to his mother we must go our separate ways. But if you ever want t see me just think of me and I will appear before you and he also walked away from her.

    Since he was born on the dwipa in the Yamuna Satyavati son was called Dwaipayana. But later he was to divide the holy veda and to compose the sacred Puranas from ancient revelations. He was to become renowned as Veda Vyasa.

    Vyasa composed the immortal Mahabharata and his disciple Vaisamapayana narrated the epic for king Janamejaya of the Kurus during his sarpa yagna his snack sacrifice.

    Volume 1

    Foreword XI
    Acknowledgements XV
    Preface XVII
    Book One: Adi Parva 1
    On the banks of the Ganga 3
    A tale of two curses 7
    The river's son 12
    A scent of heaven 15
    A solemn vow 18
    Two princes 26
    Three princesses of Kasi 29
    Bheeshma and Amba 33
    Amba 41
    The solemn oath 48
    Satyavati's other son 52
    The blind night and the pale one 55
    In the dark 60
    The three princes of Hastinapura 62
    Kuntibhoja's daughter 64
    The blazing Deva 67
    A curse in the forest 72
    Pandu's yearning 76
    Kunti's unworldly lovers 80
    The sons of Pandu 84
    The sinister night 90
    Sweet, deadly spring 96
    The Pandavas come home 101
    The seeds of envy 108
    At Pramanakoti 112
    Under the river 117
    A master for the Kuru princes 125
    Drona's story 130
    The brilliant pupil 136
    At the river 143
    Ekalavya 145
    A young man's dreams 154
    Kama finds a master 157
    The exhibition 166
    The golden warrior 177
    Drona's revenge 183
    A father and his son 190
    To Varanasi 199
    The palace of lac 205
    Fire 209
    The tragic news 216
    Flight through the jungle 220
    A change of heart 223
    Ghatotkacha 230
    A sleepy town 234
    A strange story 245
    Encounter in the night 251
    The spinning fish 258
    'Share the alms you've brought' 268
    The unusual wedding 276
    Anxiety in Hastinapura 281
    The council at Hastinapura 286
    Vidura in Kampilya 292
    A desolate gift 295
    Miracle in the wilderness 301
    Narada visits Indraprastha 307
    Ulupi and Chitrangadaa 313
    The crocodiles 320
    The Raivataka hill 325
    The holy yati 329
    The yati and the princess 335
    Cure for an illness 340
    Balarama's anger 345
    Draupadi's anger 349
    The Yadavas come to Indraprastha 354
    The hungry brahmana 357
    The burning of the Khandava vana 365
    Book Two: Sabha Parva 373
    Mayaa 375
    Mayaa's sabha 380
    Narada, the messenger 388
    Yudhishtira's quandary 392
    Krishna arrives in Indraprastha 398
    Jarasandha 402
    Girivraja 406
    The blade of grass 411
    The four quarters 418
    The Rajasuya yagna 427
    A cousin's anger 434
    Dark omens 440
    The green monster 445
    Shakuni's plan 450
    An anxious messenger 457
    The game of dice 459
    Shame 467
    'Am I a free woman?' 472
    The miracle and the oaths 476
    Dhritarashtra's fickleness 485
    The second game of dice 488
    Book Three: Vana Parva 497
    The Sun's gift 499
    The king's brother 504
    The rishis' warning 509
    Krishna swears an oath 516
    Dwaitavana 520
    The trials of Yudhishtira 525
    Vyasa's advice 534
    Arjuna's quest 539
    The vetala 543
    The Lords of light 548
    Amravati 555
    The weapons of Indra 560
    The apsara Urvashi 562
    The curse 569
    The Muni Brihadaswa 577
    Tirtha yarra'' 586
    To Badarikasrama 594
    An old monkey 603
    Where the saugandhika grows 612
    Arjuna returns 618
    Arjuna's story 622
    The wondrous city 627
    Hiranyapuri 633
    Bheema's adventure 641
    The riddles of Nahusha 649
    Markandeya's lore'' 655
    The four yugas 661
    The foolish brahmana 670
    Duryodhana's ghosha-yatra 676
    The shaming of Duryodhana 683
    Despair 687
    The powers of darkness 691
    The Rishi Durvasa 698
    Javadratha 704
    The lake of death 711
    Yaksha prasna: the yaksha's riddles 716
    Book Four: Virata Parva 723
    The thirteenth year 725
    Kunka, the gambler 730
    Ajnatavasa 735
    The cook and the wrestler 742
    Kama's dream 746
    The brahmana at noon 750
    The queen's sairandhri 754
    The besotted Keechaka 759
    Ballava's night visitor 764
    The long day 768
    The angry gandharvas 770
    Duryodhana's spies 776
    Virata's battle 782
    The prince and the eunuch 786
    Uttara Kumara 790
    Unearthly weapons 795
    Dissension 799
    The Kuru army 802
    Arjuna 805
    A gambler's blood 810
    The Pandavas 816
    A wedding in Upaplavya 819
    Glossary 823
    Appendix 837
    Volume 2

    Book Five: Udyoga Parva 1
    The council in Upaplavya 3
    A choice for two kshatriyas 10
    'Everyone seems to know me' 16
    The two armies 20
    The messengers 25
    The Pandavas' reply 36
    A blind king's terror 42
    Sanjaya delivers a message 52
    'Not land to cover the point of a needle' 59
    A second council in Upaplavya 66
    Krishna arrives in Hastinapura 74
    In Vidura's house 79
    In the court of Hastinapura 83
    Duryodhana and Krishna 88
    'I am not alone' 96
    Krishna and Kama 102
    The Pandava Senapati 110
    The Kaurava Senapati 115
    On the banks of Yamuna 118
    'Come away to your brothers' 122
    For love of his friend 124
    Balarama and Rukmi 128
    Uluka's embassy 132
    Book Six''': Bheeshma Parva 137
    Sanjaya's gift 139
    Kurukshetra 144
    A moment of crisis 149
    The Bhagavad Gita 155
    The: Song of God 161
    The Bhagavad Gita 165
    The Bhagavad Gita 170
    The Song of God 174
    The Bhaguvad Gita 178
    The ghastly war 184
    The second day: two kraunchas 189
    The third day: the eagle and the crescent 196
    The fourth day: Bheema and his son 202
    The fifth and sixth days 209
    The seventh day: many duels 216
    The eighth day: the field of death 223
    Duryodhana's despair 230
    The ninth day: the terrible patriarch 234
    The last night of an age 242
    The tenth morning 251
    The bed of arrows 256
    'I never hated you' 263
    Book Seven : Drona Parva 269
    Drona, Senapati 271
    The eleventh day 275
    Susharma 279
    Bhagadatta's elephant 282
    An ancient and his beast 289
    Drona's vow 293
    The chakra vyuha 297
    Jayadratha 's moment 300
    Abhimanyu 304
    Arjunas vow 309
    Jayadhratha’s terror 317
    Arjuna's dream 323
    The three vyuhas 327
    Arjuna the magnificent 331
    At the rim of the red lotus 336
    Deep into the enemy's army 341
    The sound of Krishna's conch 347
    T errible Satyaki 352
    Yudhishtira's anxiety 355
    Bheema arrives 360
    Kama and Bheema 365
    Satyaki and Bhoorisravas 370
    The setting sun 374
    The war at night 378
    Kama, Kripa and Aswatthama 386
    Awesome Kama 389
    Ghatotkacha rules the night 397
    Indra's Shakti 403
    Drona 410
    One white lie 416
    Recriminations 427
    Narayanastra 433
    Book Eight: Kama Parva 439
    Senapati Kama 441
    Many duels 446
    The lucid night 449
    Shalya 453
    The two brothers 457
    In Yudhishtira's tent 463
    The tastiest drink 467
    Kama and Arjuna 471
    The mired wheel 476
    The sorrowing sun 483
    Out under the moon 487
    Book Nine: Shalya Parva 491
    Kripa and his sishya 493
    Tameless Shalya 497
    The last men 502
    The Dwaipayana lake 505
    Magnificent Duryodhana 509
    The two cousins 513
    At Samantapanchaka 517
    The clarity of Krishna 522
    Book Ten: Sauptika Parva 529
    In Hastinapura 531
    The white owl’s lesson 536
    The savage camp 542
    Aswatthama’s jewel 549
    Book Eleven: Stree Parva 555
    With Dhritarashtra and Gandhari 557
    Gandhari’s Curse 562
    Tarpana for a Kshatriya 567
    Book Twelve and Thirteen: Shanti Parva and Anusasana Parva 573
    Yudhishitra’s Grief 575
    A new king in Hastinapura 581
    The dying Patriarch 585
    Bheeshma wisdom 589
    Dharma 599
    The passing of a Patriarch 607
    Book Fourteen: Aswamedha Parva 611
    Krishna says farewell 613
    The Aswamedhya yagna 616
    Book Fifteen: Asramavasika Parva 629
    The Passing of the elers 631
    Book Sixteen: Mausala Parva 643
    Ritual at Prabhasa 645
    Krishna 653
    Arjuna’s anguish 655
    Book Seventeen: Mahaprastanika Parva 659
    The final Journey 661
    Book Eighteen: Swargarohanika Parva 667
    The law of heaven 669
    Phalasruti 674
    Glossary 675
    Appendix 689
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